完整提示词
中文提示词
为一个名为 AVELORA 的虚构豪华长途旅行车品牌，创建一张高端汽车艺术海报广告，设计为单幅竖版航拍构图，采用宏大的俯视视角。将参考图的结构智慧保留为纯粹的视觉建筑：左侧是一大片明亮的海岸水域，右侧是一块被阳光炙烤的陆地，靠近画面右侧有一座严峻的线性桥梁垂直贯穿。真正的主角产品是一辆石墨色金属质感的豪华长途轿车，正沿桥行驶；它在视觉上很小，却通过位置、对比和周围克制的留白，在构图上占据主导。最终图像必须比常规汽车广告更具艺术性、更高级，更像一张博物馆级的国际广告海报。
概念是：运动在景观中刻出了一段无声的乐谱。海洋、海岸线、农业几何、岸线曲率、尾流线和土地痕迹必须暗示节奏、共鸣和管弦乐般的秩序，但不能变成插画化或字面化。图像应让人感觉地理被谱写成音乐。桥梁像一条横跨活的画布的单一果断线条，而汽车像唯一重要的音符。
左侧的海必须深邃、矿物感强，并以写实方式带有绘画感：饱和但优雅的地中海蓝、青绿色的深浅变化、浅色浪缘，以及来自少数远处船只的细长白色尾流，像表面上的姿态性笔触。右侧的土地必须干燥、有纹理、具雕塑感：陶土色田地、氧化赭色土壤、尘土般的深棕色、浅沙色斑块，以及一处微妙的螺旋或书法式土地痕迹嵌入地形之中，仿佛大地自身记得运动。海岸线应显得自然切割、不规则且美丽，带有白色岸边泡沫和可信的侵蚀线。每一个宏观形状都必须有设计感，但绝不能显得人工。
汽车是一辆真实感的高端轿车，高度写实且精密工程化：低矮优雅的车身线条、深色全景车顶玻璃、微妙的金属反射、清晰的车窗饰条、精致的轮毂设计、真实的轮胎接触，以及一种平静的速度感，而不是激烈的运动模糊。车辆尽管比例很小，仍必须通过受控的道路对比、精准阴影和桥上的准确位置保持可辨识。桥面是洁净无瑕的深色沥青，带有细窄浅色车道标线、工程化边缘和极少结构干扰，被渲染为一条切开海洋与陆地的纯粹现代主义线条。
色彩层级：55% 明亮的深蓝与青绿色水域，25% 温暖的铜色、锈色、陶土色和矿物质陆地，10% 炭黑色桥梁与石墨色汽车，10% 柔和白色尾流线和文字。光线是高空航拍日光，但要被提炼成美术化调性：清晰的海岸阳光、水体和土壤中的雕塑化纹理、精确的白色泡沫边缘、非常微妙的大气扩散，以及强微对比但不过度锐化。图像必须感觉干净、昂贵、通透，并具有全球化高端质感。
文字排版必须比之前更少、更冷静、更精致。总共只使用两个文字元素。在左上方开阔水域区域，放置一条优雅标题：“Composed for Distance.” 使用现代精致无衬线字体，或克制的高级时装感衬线—无衬线混合字体，亮白色，字距精心调整，带有安静的权威感。在右上角，仅使用一个极简品牌块：“AVELORA”。不要额外描述语、不要网站、不要解释性文案、不要信息杂乱。文字排版应像画廊级的编辑性介入，悬浮在负空间中，绝不与景观或汽车竞争。
材质语义必须明确且高级：富含矿物感的水深、粉笔感海岸线、干燥农业土壤、工程化沥青、金属汽车漆、反光玻璃、微妙的车底阴影，以及细腻的航拍摄影纹理。整个构图必须读作一个由产品主导的奢华广告，其中汽车将景观转化为关于运动的情感乐器。
渲染目标：写实豪华汽车广告、航拍美术写实、概念上聪明的构图、高端编辑海报完成度、干净负空间、克制文字排版、世界级印刷品质，以及工程、地形与视觉诗意之间的无缝和谐。
结构化排除约束：不要真实汽车品牌、不要抄袭标语、不要乱码文字、不要不可读文字、不要桥上出现额外车辆造成杂乱、不要低分辨率汽车、不要扭曲海岸线、不要卡通音乐符号、不要变形桥梁几何、不要浑浊水体、不要肮脏雾霾、不要廉价旅游海报感、不要过度饱和的旅行美学、不要风格漂移、不要 AI 瑕疵、不要重复船只、不要视觉杂乱。
英文提示词
Create a premium automotive art-poster campaign for a fictional luxury grand touring brand named AVELORA, designed as a single vertical aerial composition with a monumental top-down perspective. Preserve the structural intelligence of the reference as pure visual architecture: a vast field of luminous coastal water on the left, a sun-scorched earthmass on the right, and a severe linear bridge running vertically near the right side of frame. The real hero product is a graphite metallic grand touring sedan traveling along the bridge, visually small yet compositionally dominant through placement, contrast, and the disciplined emptiness around it. The final image must feel more artistic, more elevated, and more like a museum-grade international advertising poster than a conventional car campaign.
The concept is that motion has carved a silent score into the landscape. The sea, coastline, agricultural geometry, shoreline curvature, wake lines, and land traces must imply rhythm, resonance, and orchestral order without becoming illustrative or literal. The image should feel like geography composed into music. The bridge reads like a single decisive line across a living canvas, and the car reads like the only note that matters.
On the left, the sea must be deep, mineral, and painterly in a photoreal way: saturated but elegant Mediterranean blue, teal depth shifts, pale wave edges, and elongated white wake trails from a few distant boats that feel like gestural strokes across the surface. On the right, the land must be dry, textural, and sculptural: terracotta fields, oxidized ochre soil, dusty umber, pale sand pockets, and one subtle spiral or calligraphic land trace embedded into the terrain as if the earth itself remembers movement. The coastline should feel naturally cut, irregular, and beautiful, with white shore foam and believable erosion lines. Every macro-shape must feel designed, but never artificial.
The car is a real premium sedan, highly photoreal and precisely engineered: low and elegant body line, dark panoramic roof glass, subtle metallic reflections, crisp window trim, refined wheel design, realistic tire contact, and a calm sense of speed rather than aggressive motion blur. The vehicle must remain legible despite its scale, through controlled road contrast, precise shadow, and exact positioning on the bridge. The bridge surface is immaculate dark asphalt with thin pale lane markings, engineered edges, and minimal structural interruption, rendered as a pure modernist line slicing through sea and land.
Color hierarchy: 55% luminous deep blue and teal water, 25% warm copper, rust, terracotta, and mineral earth, 10% charcoal bridge and graphite car, 10% soft white wake lines and typography. Lighting is high aerial daylight but refined into fine-art tonality: crisp coastal sun, sculpted texture in water and soil, exact white foam edges, very subtle atmospheric diffusion, and strong micro-contrast without harsh over-sharpening. The image must feel clean, expensive, breathable, and globally premium.
Typography must be fewer, colder, and more refined than before. Use only two text elements total. In the upper-left open water area, place one elegant headline: "Composed for Distance." Set in a modern refined sans-serif or restrained high-fashion serif-sans blend, bright white, carefully kerned, with quiet authority. In the upper-right, use a minimal brand block only: "AVELORA". No extra descriptors, no website, no explanatory copy, no information clutter. The typography should feel like a gallery-grade editorial intervention, suspended in the negative space, never competing with the landscape or the car.
Material semantics must be explicit and elevated: mineral-rich water depth, chalky coastline, dry agricultural soil, engineered asphalt, metallic automotive paint, reflective glass, subtle undercar shadow, and fine aerial photographic texture. The entire composition must read as a product-led luxury campaign where the car transforms the landscape into an emotional instrument of movement.
Rendering target: photoreal luxury automotive campaign, aerial fine-art realism, conceptually intelligent composition, premium editorial poster finish, clean negative space, restrained typography, world-class print quality, and seamless harmony between engineering, terrain, and visual poetry.
Structured exclusion constraints: no real car brands, no copied slogans, no garbled typography, no unreadable text, no extra vehicles cluttering the bridge, no low-resolution car, no distorted coastline, no cartoon music symbols, no warped bridge geometry, no muddy water, no dirty haze, no cheap tourism poster look, no oversaturated travel aesthetic, no style drift, no AI artifacts, no duplicate boats, no visual clutter.
